Live 3D Preview of the URSA Cine Immersive in the Vision Pro

No. The camera records Apple Immersive Video but has no way to stream it live — which is why URSee exists. Its SDI monitor output goes into a DeckLink or UVC capture device, and URSee delivers it live to every Apple Vision Pro on set.

With URSee: a Mac running URSee Streamer ingests each camera over SDI and streams to every Vision Pro wirelessly, or over a Thunderbolt cable to the Developer Strap. Each viewer wears a headset and sees the shot as immersive video, projected in a lens-calibrated 3D dome.

There is no fixed limit. Every headset picks its own camera independently — the director, DP, producer, and even on-screen talent can each watch a different feed at the same time without affecting anyone else.

60–70 milliseconds glass-to-glass, measured on device and displayed live on-glass, at 4K DCI. Wired Thunderbolt viewers stream up to 200 Mbps.

Yes. For field monitoring, the camera's SDI output feeds a UVC capture dongle connected by USB-C to the Vision Pro's Developer Strap — no Mac, no network, with the lens calibration file loaded from Files.

29.97 — the URSA's native SDI monitoring cadence: every frame the camera's monitor output makes.

URSee is built for the URSA Cine Immersive and its immersive 180° stereo output. For regular 2D cameras — any SDI or UVC source — there is DeckSee, our companion multicam monitoring system for Apple Vision Pro.

Plan around the camera, not the apps. Blackmagic RAW from the URSA Cine Immersive runs about 0.9GB per second — call it 3.2TB per hour of rolling — so the camera's 8TB media holds roughly two and a half hours. Offload to a fast NVMe SSD over Thunderbolt or USB4 between setups rather than waiting for wrap, budgeting raw hours × 3.2TB: a studio day with two hours of rolling is about 6.5TB, one 8TB offload drive. Clips, URSee's rendered dailies, land on the host Mac at about 4% of the raw — plan roughly 120GB of Mac storage per hour of footage you'll review, and reclaim it anytime by clearing clips from the library.

Clips are full-native HEVC renders of your takes, built for Vision Pro playback at about 4% the size of the raw — roughly 1GB per 30-second take. URSee Streamer reads the camera raw in place and never writes to an offload drive — your media stays exactly as the DIT left it. The rendered library lives on the host Mac, at about 120GB per hour of reviewed footage, reclaimable anytime by clearing clips. And the headsets never store the library: each keeps a size-capped cache that evicts the oldest clips automatically and re-downloads on demand, so headset storage is never a planning concern.